jennifer jacobs ucsb

Pollock T.M, Clarke A.J, Babu S.S . Her group has recently developed and released AppScale - an open-source platform-as-a-service cloud computing system that implements the Google App Engine (GAE) APIs and that facilitates next-generation cloud computing research. Collectively, my research demonstrates how developing computational workflows, representations, and interfaces for manual and physical making can enable manual creators to leverage existing knowledge and skills. Research in HCI, with focus on Expressive and Creative Computing and Manufacturing. 0000001534 00000 n Jennifer Jacobs. Follow. The new release (2021) includes support for Open Sound Control. From 2008-13, he held the position of Canada Research Chair in Telemedia Arts (University of Calgary). Jennifer Jacobs and Amit Zoran Hybrid Practice in the Kalahari: Design Collaboration Through Digital Tools and Hunter Gatherer Craft. Media Arts and Technology/Expressive Computation Lab, University of California Santa Barbara, United States, Jennifer Mary Jacobs. Technical Director, AlloSphere Research Facility. Monica Scafide Connect. 1306 28 To answer these questions, our current work focuses on Human-Computer Interaction (HCI), eXtended Reality (XR), and Human-Centered Artificial Intelligence (AI). Tim Dewar Defining this emerging field by advancing foundations and applications. We're sorry but personalwebsite doesn't work properly without JavaScript enabled. Dr. Cabrera's current research in interactive distributed computation is directed towards tackling the diverse complex issues around computational workflows in scientific research through the merging of human-computer interaction, literate programming, and multimedia display. Much of her work involves developing and using spatial simulation models to integrate data from multiple field-based monitoring studies in order to generalize results to larger watersheds. She also received an M.F.A. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. tdewar@ucsb.edu Jennifer Jacobs is an Assistant Professor in Media Arts and Technology at the University of Santa Barbara. Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. mscafide@ucsb.edu, Science (Biology, Chemistry, Earth Science, Physics) I work across the fields of computational art and design, human computer interaction, and systems engineering. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. During 2008, Peljhan was appointed as one of the European Union Ambassadors of Intercultural dialogue. natalie.holdren@ucsb.edu His music is available on compact discs produced by the MIT Media Laboratory, Wergo, OR, Mode, and Asphodel. BA University of Oregon, Computer Science, Media Arts and Technology. He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. University of California Santa Barbara Elings Hall Room 2215 Santa Barbara, CA, 93106 jmjacobs@ucsb.edu jenniferjacobs.co Research Interests . His interests are the algorithmic composition of instrumental, electronic and computer music, music software development as well as interdisciplinary activities, e.g. 0000009548 00000 n Major: Black Studies & Sociology. Office: ED 3262, University of California, Santa Barbara Assistant Professor In spring 2016, she received the Silver Award in the annual Edison Awards Global Competition that honors excellence in human-centered design and innovation. Office: ED 3224, Katie Blackwell Login with your UCSB net ID to manage your events. Faculty & Staff. We envision a future for computational production where software and hardware tools are truly shaped by the people who use them. Gerald Jacobs received a B.A. RE Touch Lab - Director and Principal Investigator. Prior Employment Postdoctoral Fellow, Computer Science, Stanford University MAT provides a great opportunity to explore this domain". Playing Nature: Ecology in Video Games, develops environmentally informed frameworks for understanding and designing digital games (University of Minnesota Press, December 2019). Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. His current major project, which he started in 2005 as a University of California multi-campus, collaborative research group, is Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. by | Jun 10, 2022 | maryland gymnastics meets 2022 | gradient learning headquarters | Jun 10, 2022 | maryland gymnastics meets 2022 | gradient learning headquarters Before joining the faculty at UCSB, he served as postdoctoral researcher in the DFG SPP "The Digital Image", associated researcher in the Critical Artificial Intelligence Group (KIM) at Karlsruhe University of Arts and Design, and Assistant Curator at ZKM Karlsruhe, Germany. jjacobs9@gmail.com. He initiated and in 1986 co-founded GIMIK: Initiative Music and Informatics Cologne and served as chair for thirteen years. Email: esprogram@es.ucsb.edu. 0000005687 00000 n In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. The new paradigm of computing, harnessing quantum physics. Dr. Cabrera is adjunct faculty in the Media Arts and Technology Program at UC Santa Barbara and received his PhD at Queen's University Belfast under the direction of Dr. Gary Kendall, a pioneer of computer music and spatial audio digital signal processing. JENNIFER JACOBS Updated: December 9th, 2022. Dr. Visell's directs the RE Touch Lab, leading fundamental and applied research on the future of interactive technologies. Copyright 2023. 1306 0 obj <> endobj xref All rights reserved. University of California, Santa Barbara. 0000000696 00000 n 0000001375 00000 n He is the recipient of many prizes for his work, including the 2001 Golden Nica Prize at Ars Electronica together with Carsten Nicolai for their work, polar, and the UNESCO Digital Media Prize for Makrolab in 2004. Cc bi vit sau y c hp nht trong Scholar. In 2004, he published his The Laws of Cool: Knowledge Work and the Culture of Information (Univ. 0000006065 00000 n Each department, from Product Development to Customer Care, devotes their exceptional talent and skills to ensure the highest standards are met. ,01nXu`LzG3:0e`\qS9Ol*+20r2d01!X~>'@ 4cc endstream endobj 1332 0 obj <>/Filter/FlateDecode/Index[77 1229]/Length 53/Size 1306/Type/XRef/W[1 1 1]>>stream Distinguished Professor, MAT Diversity Officer. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. A composer of mixed media works, she received her Ph.D in 1984 from the Eastman School of Music, University of Rochester. 2) Broadening professional computational making through computational fabrication technologies. Prior academic appointments were held at the Merz Akademie University of Visualization, Stuttgart, Germany (1996-2000); San Francisco State University (1989-2007); University of Southern California (1984-1988); California Institute of the Arts (1982-1984); and the University of Western Ontario (1978-1981). with your company email address. 0000008750 00000 n Computers are increasingly displacing many manual practices in favor of procedural, generative, and automated production. Regents of the University of California. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. 7 in its 2022-23 list of "Top Public Schools" U.S. News & World Report - ECE & CoE among Nation's 2023 Best Grad Schools Admissions Supporting Expressive Procedural Art Creation through Direct Manipulation. RHESSys is designed to provide science-based information about spatial patterns of ecosystem health and vulnerability in terms of water quantity and quality. At UCSB, she directs the Expressive Computation Lab, which investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. McCray entered the historians profession via his background in materials science and engineering. College of Engineering - UC Santa Barbara. Professor Jennifer Jacobs. Her research has received extensive media coverage from leading media outlets (e.g., from Engadget, UploadVR, MIT Tech Review and Forbes India) and has drawn the attention of industry research, such as Samsung and Unity 3D. Bekijk profielen van professionals die 'Jennifer Jacobs' heten op LinkedIn. estabrook@ucsb.edu 0000010017 00000 n MFA Computers in Fine Arts, CADRE, San Jose State University. MFA San Francisco Art Institute. His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). JENNIFER JACOBS - Wellness Fitness & Nutrition. In a series of theoretical essays in the 1990s, he explored cultural criticism, the new historicism, and postmodernism in contemporary literary studies. tdewar@ucsb.edu More broadly, she works on ways to enable art and design professionals to leverage their domain expertise to quickly and effectively develop personal software tools. Pre-Professional Coordinator: Office: ED 3232, Single-Subject (SST, Secondary) Assistant Professor Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Professor Tague is currently modeling the impacts of climate change on stream-flow patterns in the western United States and examining how urbanization alters drainage patterns and associated biogeochemical cycling in watersheds in Baltimore, Maryland, and Southern California. Media Arts and Technology, University of California Santa Barbara, United States, Andrs Monroy-Hernndez. He then attended Stanford University where he received his M.S. Prior to joining UCSB, Jennifer received her Ph.D. from the Massachusetts Institute of Technology and was a Postdoctoral Fellow at the Brown Institute of Media Innovation within the Department of Computer Science at Stanford University. Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. 4312 Bren Hall, UC Santa Barbara . Jeremy Jacobs Jeremy Jacobs. Snap, United States and Computer Science, Princeton University, United States, Michael Nebeling Verified email at ucsb.edu - Homepage. His collection of electronic music compositions POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica in Linz and was released as a CD + DVD on the Asphodel label in 2005. Office: ED 3234, Education Specialist Mild/Moderate Support Needs (ESC, Special Ed) 320: 1983: Cone-based vision of rats for ultraviolet and visible lights. Media Arts and Technology. At UCSB, he is affiliated with the Media Arts and Technology program, the Comparative Literature program, and the Center for Responsible Machine Learning. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). This research was sponsored by the National Science Foundation in 2007-2009 and resulted in a Best Paper award at the 2008 International Computer Music Conference. He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. In particular, we investigate the design, engineering and study of human-AI integration through novel interfaces, interactions, tools and systems focusing on skill acquisition, task guidance and creative collaboration. Professor The projects explore alternative, distributed and unintentional collaborations and expressions of these collectives. 51:6000-6019. 0000054815 00000 n 0000055655 00000 n AlloSphere Research Group. Specialization: Software/Network Art, Information Mapping/Visualization. He is especially interested in the motives and ways these communities collaborated with one another, how Cold-War derived technologies such as lasers and digital computers were enlisted for artistic purposes, and the presence of Cold War themes such as nuclear war, cybernetics, and the Space Race in art from the 1950s, 60s, and 70s. Natalie Holdren He currently leads one of the CNSs research initiatives; this explores the history of nanotechnology and its place in the broader context of the 20th century science and technology. Work jennifer jacobs ucsb. In 2010 he was awarded the lifetime achievement award from the Society for Electro-Acoustic Music in the United States (SEAMUS). Jennifer Jacobs (UCSB) Expressive Computation: Integrating Computation with Manual and Physical Making, Masters Program in Computer Science (MPCS), Masters in Computational Analysis and Public Policy (MSCAPP), Equity, Diversity, and Inclusion (EDI) Committee. She completed a masters of science in the High-Low Tech group and an . Furthermore, Ill discuss how collaborating with practitioners from art, craft, and manufacturing can diversify approaches to knowledge production in systems engineering and open new research opportunities in computer science. Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. At UCSB, she directs the Creative Computing Initiative and co-directs Wireframe, a media studio that promotes collaborative theoretical and creative media practice with investments in global social and environmental justice. Professor She is director of the Expressive Computation Laba group whoseresearchspanscomputational art and design, human computer interaction, and systems engineering. Sarah Rosalena Brady is Assistant Professor of Art at UC Santa Barbara in Computational Craft and Haptic Media. Accessibility 0000132293 00000 n degree at University of Vermont and a Ph. of Chicago Press is Local Transcendence: Essays on Postmodern Historicism and the Database. At UChicago CS, we welcome students of all backgrounds and identities. Department of Art. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. MIT selected her as an EECS Rising Star in 2018. From sourcing the best ingredients for our products to helping navigate insurance coverage and orders, the Kate Farms team puts people first, always. We need to make computers accessible to all people in all situations. 0000103163 00000 n Defining and building the future of computer science, from theory to applications and from science to society. Department of Film and Media Studies, 2018 Social Sciences and Media Studies Building. Assistant Professor (Computational Craft and Haptic Media) Since 1996, he has written widely on the history of science and technology after 1945 including two books: Giant Telescopes: Astronomical Ambition and the Promise of Technology (Harvard University Press, 2004) is an exploration of the politics, policy, and technology behind the current generation of ground-based telescopes while Keep Watching the Skies: The Story of Operation Moonwatch and the Dawn of the Space Age (Princeton University Press, 2008) chronicles the activities of citizen-scientists who organized a global network of satellite spotters during the Cold War. UC Santa Barbara Santa Barbara, California 93106 (805) 893-8000. ECL's objective is to foster the development of expressive computational tools for art, design, and engineering. Legrady's artistic works have been supported by awards from the Creative Capital Foundation, the Daniel Langlois Foundation for the Arts, Science and Technology, the Canada Council for the Arts, the National Endowment for the Arts, and a John Simon Guggenheim Fellowship in Visual Arts in 2016. Chandra Krintz is a Professor at the University of California, Santa Barbara (UCSB). The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. He received the Masters of Architecture at Ohio State university in 1983. 0000008107 00000 n 0000005031 00000 n Chandra's efforts have been recognized with a 2006 NSF CAREER award, the 2008 CRA-W Anita Borg Early Career Award (BECA), and the 2008-9 UCSB Academic Senate Distinguished Teaching Award. Among his books are the anthologies Foundations of Computer Music (1985, The MIT Press) and The Music Machine (1989, The MIT Press). jennifer jacobs ucsbhow to check how many warnings you have on roblox. George Legrady, Distinguished Professor of Digital Media. Marcos Novak is a pioneer in the field of virtual architecture. Jennifer Richard (Jacobs) Marketing Manager - Aortic & Peripheral Vascular Health, Australia & New Zealand at Medtronic Greater Sydney Area. In 2000, he joined the Stanford Graphics Lab where he did research on real-time rendering and computational photography. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Alenda Chang joined the UCSB faculty in 2015, following two years as a digital humanities and environmental literature professor at the University of Connecticut (Ph.D. Regents of the University of California. Ken is on the editorial board of the Journal of Organised Sound and advisor to the Electroacoustic Music Studies Asian Network (EMSAN). Her work is in the permanent collection at the Los Angeles County Museum of Art. He is the creator of Artsmesh, a macOS application for live networked music performance. I am an Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy), where I direct the Expressive Computation Lab. Department of English. His artistic works have exhibited at some of the most prominent cultural venues in the world. Professor Whilst articulating highly fluent theory, he has practiced, producing beautiful ethereal architectures that flux and shimmer as his algorithms run their designed logics. He is currently writing a new book about "visioneers" - people who used their technical expertise to promote visions of a more expansive future made possible by the technologies they studied, designed, and promoted. University of California, Santa Barbara. University of California, Santa Barbara - Cited by 16,662 - visual neuroscience . Please enable it to continue. A new revised edition of The Computer Music Tutorial (MIT Press) is scheduled for publication in Spring 2023. All rights reserved. In 2016 he was awarded the Giga-Hertz Prize by the ZKM, Karlsruhe, and Sudwest Rundfunk, Baden-Baden. And if you know of other websites that may be useful to your colleagues, and should perhaps be added . Elliot Hawkess research focuses on bringing together design, mechanics, and non-traditional materials to advance the vision of robust, adaptable, human-safe robots that canthrive in the uncertain, unstructured world. Dennis Adderton is an Electrical Engineer with 20 years of experience in the design of scientific instruments and is currently employed as Technical Director for the Allosphere Research Facility, in the California NanoSystems Institute at UCSB. The lab focuses on computational-based creative explorations in the fields of data visualization, visual language, machine vision, computational photography, interactive digital installations and related directions addressing the impact of computation on visualization. His composition Clang-tint (1994) was commissioned by the Japanese Ministry of Culture (Bunka-cho) and the Kunitachi College of Music, Tokyo. He worked in interactive art and design R&D at FoAM, Belgium, at the Interaction Design Institute Ivrea, and at the art+technology organization Zero-Th, which he co-founded in 2005. He is interested in expanding the ways in which people interact with computers. We envision a future for computational production where software and hardware tools are truly shaped by the people who use them. He is also the director of the MAT Systemics Lab, located in Elings Hall. "Graphical user interfaces are very useful and quite appropriate for some uses of computers, but the computing landscape is changing: we are moving beyond the days when computers are primarily boxes that sit on a desk, used for spreadsheets and word processing. Assistant Professor Design and Tailoring of Alloys for Additive Manufacturing. New interface technologies become new tools for musical and artistic expression. 0000001555 00000 n Jennifer's research is situated within the context of teacher education. Santa Barbara, CA 93106. She completed a masters of science in the High-Low Tech group and an MFA in Integrated Media Art from Hunter College. Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Peljhan has also been the flight director of ten parabolic experimental flights in collaboration with the Microgravity Interdisciplinary Research initiative and the Yuri Gagarin Cosmonaut Training Centre, creating conditions for artists to work in alternating gravity conditions. 0000001180 00000 n A researcher at MIT (1980-1986), he also worked in the computer software industry for a decade. 1. Click Here to Login with UCSB Net ID. Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. He is a Fellow of the Optical Society of America and of the American Association for the Advancement of . Associate Post Doctoral Research Fellow My least favorite food: There really isn't any food I don't like. Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. She was recently given the Creative Capital Award, the LACMA Art + Tech Lab Grant, the Steve Wilson Award from Leonardo, the International Society for Art, Sciences, and Technology, Carolyn Glasoe Bailey Foundation Art Prize, and the Craft Futures Grant from Center for Craft. dyoung@ucsb.edu, Jennifer Scalzo A Zoran, SO Valjakka, B Chan, A Brosh, R Gordon, Y Friedman, J Jacobs, D Mellis, A Zoran, C Torres, J Brandt, TJ Tanenbaum, Proceedings of the 2016 ACM Conference Companion Publication on Designing, Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems, G Benabdallah, S Bourgault, N Peek, J Jacobs, Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems, Proceedings of the 1st Annual ACM Symposium on Computational Fabrication, 1-2, Proceedings of the 33rd Annual ACM Symposium on User Interface Software and, Proceedings of Constructionism 2014 Conference.

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